On September 22, during his Uranus return at the age of 84, the great French mime Marcel Marceau passed away, stepping out of his physical cage and into Silence.When I was a young boy in the 1950’s, my mother (an always ahead-of-her-time Sagittarian who loved to experience anything new and different) took me to see Marcel Marceau perform in Boston. I can still recall the perfume of a woman sitting next to me in the theater balcony, a scent which to this day somehow permeates my memory of Marcel Marceau. I fell in love with his magical, poignant performance, a fluid blending of universal compassion and clown-like fantasy. It was something that even--and perhaps especially--a child could grasp. When he felt his way out of a dark invisible cage only to discover another one containing it…trapped in a cage within a cage within a cage…my Sun-Pluto soul understood that perfectly.
According to his biography on Wikipedia,
Marceau created "Bip" the clown, who in his striped pullover and battered, beflowered silk opera hat — signifying the fragility of life — has become his alter ego, even as Chaplin's "Little Tramp" became that star's major personality. Bip's misadventures with everything from butterflies to lions, on ships and trains, in dance-halls or restaurants, were limitless. As a style pantomime, Marceau was acknowledged without peer. His silent exercises, which include such classic works as The Cage, Walking Against the Wind, The Mask Maker, and In The Park, as well as satires on everything from sculptors to matadors, were described as works of genius. Of his summation of the ages of man in the famous Youth, Maturity, Old Age and Death, one critic said: "He accomplishes in less than two minutes what most novelists cannot do in volumes."
Marceau’s performances were rooted in a rich theatrical history going all the way back to the ancient Greeks, but a number of modern mimes had their origins with Marcel Marceau. The 1966 Anontioni movie Blowup used the character of a mime to explore the differences between appearance and illusive reality.
Said to have been the inspiration for Michael Jackson’s signature moonwalk, Marceau had his Sun on the Aries Point—0° Aries, a cardinal degree which is one of the indicators of fame. His Mercury conjoined Uranus exactly in Pisces, the silently flowing water sign. Mercury can have difficulty expressing itself through normal channels of communication when in Pisces, and Marceau communicated best through the unconventional language of silent pantomime. I think that helps to show us that even "poorly placed" planets (Mercury is supposed to be debilitated in Pisces) can find interesting ways to express themselves, shine, and even excel.
He also had a powerful Aquarian Venus, which squared Jupiter and trined Saturn. Venus in Aquarius can signify a universal appreciation, human differences seen through a common lens. Through his Venus-Jupiter square, Marceau captured the human moral condition.
Marcel Marceau's Saturn was exalted in Libra, exactly opposite his Sun and trine Venus--to watch Marcel Marceau was to view an exalted balance of physical form and function. He also had a Mars-Neptune square, contributing to his imaginative use of physical action
Concidentally, another silent star, Charlie Chaplin, had a similar mix of planetary energies: Mercury opposite Uranus instead of conjunct, and a retrograde Venus square Saturn.
One would think that a famous mime might have a strong, Mercury-ruled Virgo or Gemini—a mime, after all, is supposed to mimic or imitate. Marceau does not have any planets in either of those signs, but the French astrology website AstroTheme shows an 8:00 a.m. birth time, which would give Marceau a Gemini Ascendant--and make Mercury his chart ruler.

















